‘MacDonald had a huge influence on me . . . Reacher is like a fully detached version of Travis McGee’ LEE CHILD
Travis McGee isn’t your typical knight in shining armour. He only works when his cash runs out, and his rule is simple: He’ll help you find whatever was taken from you, as long as he can keep half.
The funny thing about favours: sometimes they come back to haunt you. And Travis McGee owes a friend a big one. Little surprise that he finds himself on a trip to Hawaii to help out his friend’s daughter, who is convinced her husband is trying to kill her.
But Travis can’t find a single thing wrong and puts her paranoia down to simple anxiety. It’s not until he’s back home that he realises he may have overlooked a clue or two. And that she might be in very real danger . . .
First published in 1973, The Turquoise Lament features an introduction by Lee Child
JOHN D. MACDONALD: A GRAND MASTER CRIME WRITER
‘The great entertainer of our age, and a mesmerizing storyteller’ – Stephen King
‘Travis McGee is my favourite fiction detective. He’s great because he has a philosophical side – he will fight a bunch of mobsters in a car park and then have a muse about life, the universe and everything’ – Tony Parsons
‘A dominant influence on writers crafting the continuing series character . . . I envy the generation of readers just discovering Travis McGee’ – Sue Grafton
‘The consummate pro, a master storyteller and witty observer . . . The Travis McGee novels are among the finest works of fiction ever penned by an American author and they retain a remarkable sense of freshness’ – Jonathan Kellerman
‘. . . my favorite novelist of all time’ – Dean Koontz
‘A master storyteller, a masterful suspense writer . . . John D. MacDonald is a shining example for all of us in the field’ – Mary Higgins Clark
‘What a joy that these timeless and treasured novels are available again’ – Ed McBain
‘There’s only one thing as good as reading a John D. MacDonald novel: reading it again . . . He is the all-time master of the American mystery novel’ – John Saul
