“One of theatre’s subtlest, most sophisticated minds” (The Times)
Benefactors conjures the world of the suburbs observed through the lens of post-imperialism; “dazzling.. This prismatic work circumscribes the disillusionment of an era” (New York Times); Balmoral dares to imagine what Britain would be like if it had gone through the Russian revolution in 1917; “a sophisticated drollery, an educated amusement” (New Statesman); Wild Honey is a reworking of Checkov’s first play (also known as Platonov) and is shot through with farce, feminism and eroticism.
