The Times Book of the Week
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‘I could read Martin Williams all day. He is a staggeringly communicative historian; this book throws shafts of light on recent history almost repeating itself, giving vivid glimpses into monarchy and the way things were, and are. Compulsory reading.’ — Dame Joanna Lumley
‘A social historian and gifted storyteller, Williams is by turns moved and amused as he reflects on the poignancy and rituals of a nation united (pretty much) in grief…’ — The Times
‘adroitly-written…[told by Williams] so skilfully, and with such silken prose, that it’s a pleasure to spend the time inside his head’ — The Oldie
‘delightful details…to rekindle this vanished epoch’ — Country Life
‘Vivid, panoramic, skilfully written, this gripping book is an insight into a time and an age’. — Kate Williams
‘Martin Williams has written a fascinating and absorbing account of the Edwardian era, the demise and funeral of the King, and the iconic Black Ascot that followed it. He has brought a lost age grippingly to light’. — Hugo Vickers
‘witty, informative and immensely readable… captures the spirit of the times’. — Miranda Seymour
‘A tour de force’. — Dr Kate Strasdin
‘We tend to think that Cecil Beaton single-handedly invented the Edwardian Age. Martin Williams shows us succinctly and elegantly that perhaps it was the King himself.’ — Nicky Haslam
‘… moves with unflagging wit and style. A fresh perspective on a brilliant life and a lost era beautifully evoked, it is impossible not to be swept away by this gem of a book. Pure pleasure.’ — Robin Muir
‘a must-have… a wonderful and thought-provoking read.’ — The Historian
‘…a book about a changed and changing world trying to cope with even more change…beautifully written [and] timely’ — The Catholic Herald
Unforgettable as it was, the public response to the death of Queen Elizabeth II in September 2022 was not without precedent. When her great-grandfather King Edward VII – glamorous, cosmopolitan and extraordinarily popular – died in May 1910, the political, social and cultural anxieties of a nation in turmoil were temporarily set aside during a summer of intense and ritualised mourning.
In The King is Dead, Long Live the King! Martin Williams charts a period of tension and transition as one era slipped away and another took shape. Witnessed by a diverse but interconnected cast of characters – crowned heads and Cabinet ministers, debutantes and suffragettes, artists and murderers – here is the swansong of Edwardian Britain. Set against a backdrop of bereavement and parliamentary crisis overshadowed by the gathering clouds of war, we see a people caugh
